Ismo, ismo, ismo : cine experimental en América Latina = Ism, ism, ism : experimental cinema in Latin America / edited by Jesse Lerner and Luciano Piazza.

Colaborador(es):

Tipo de material: Texto

TextoIdioma: Inglés, Español, Portugués Editor: Oakland, California : Los Angeles : University of California Press ; Los Angeles Filmforum, [2017]Fecha de copyright: ©2017Descripción: vii, 400 páginas : ilustraciones en colorISBN:

9780520296084

Otro título:

Ism, ism, ism : experimental cinema in Latin America

Tema(s):

Género/Forma:

Exhibition catalogs.

Clasificación CDD:

791.43611 22

Contenidos:

Foreword / Adam Hyman -- Ism, ism, ism / Jesse Lerner and Luciano Piazza -- Visual experimentation in Super 8: Mexico and Latin America / Álvaro Vásquez Mantecón -- Little cinema is dead! Long live Cinema! / José de la Colina -- A secret history / Alfonso Gumucio Dagron -- Cameraless South America: under the spell of Norman McLaren / Antoni Pinent -- The performative in Venezuelan experimental film / Isabel Arredondo -- Fifth Caracas Super 8 Film Festival / Julio Neri and Mercedes Márquez -- The image belongs to those who work with it: recycled cinema in Latin America / Jesse Lerner -- Ism ism / Manuel DeLanda -- Super 8 experimental film in Puerto Rico during the 1980s / Poli Marichal -- The appropriations of Che's image -- Experimental cinema in Cuba? / Luisa Marisy -- A new phase in the history of cinema / Claudio Caldini -- A pocket constellation: in praise of Argentinian experimental cinema in Super 8 / Pablo Marín -- OMR / Silvestre Byrón -- Thresholds of experience: on Marie Louise Alemann's Umbrales / Federico Windhausen -- "Fax fatory" studios: Solá Film / María Belén Moncayo -- It started as a hobby: experimental film / Revista Ercilla -- Mysteries of the creative act / Jorge Sanjinés -- Resistant stories / Ángela López Ruiz -- Third International Documentary and Experimental Film Festival / SODRE -- The founding of the Center for Experimental Film / Claudio Salinas Muñoz and Hans Stange Marcus -- Raúl Ruiz, or anthropology's trembling images / Tarek Elhaik -- Radio Belén / Mauricio Godoy -- Miss Universo en el Perú / Mauricio Godoy -- Proposal for establishing the film institute in Barranquilla / Gabriel García Márquez -- The Barranquilla Group, La Cueva, and experimental film / Marta Lucía Vélez -- What is poverty porn? / Luis Ospina and Carlos Mayolo -- Material for release / Torquato Neto -- The resonant times of Hélio Oiticica's quasi-film / Rubens Machado Jr. -- Super 8 as an instrument of language / Sérgio Péo -- Films / Torquato Neto -- To attempt the experimental / Hélio Oiticica -- General bibliography -- Index -- Acknowledgments -- Image credits.

Resumen: Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.

Existencias ( 2 )
Notas de título ( 7 )

Existencias
Tipo de ítem	Biblioteca actual	Colección	Signatura topográfica	Copia número	Estado	Fecha de vencimiento	Código de barras	Reserva de ítems
Libros	Arquitectura General	General	791.43611 I83i [2017]		Disponible		00429492
Libros	Arquitectura General	General	791.43611 I83i [2017]	c.1	Disponible		00429493

Total de reservas: 0

Publicado con la ayuda de la Fundación Getty.

"La serie de proyecciones de varias partes presenta obras latinoamericanas y latinas clave históricas y contemporáneas basadas en el tiempo, presentadas en una combinación de lugares de proyección, museos, galerías y espacios comunitarios, desde septiembre de 2017 hasta enero de 2018 en Los Ángeles, y luego viajando a otros lugares"--Página preliminar.

Incluye índice.

Bibliografía : páginas 390-394.

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.

Includes text in English, Spanish, and Portuguese.